Theodore Anthony Nugent (/ˈnuːdʒɪnt/; born December 13, 1948) is an American singer-songwriter, guitarist and political activist. Nugent initially gained fame as the lead guitarist of the Amboy Dukes, a band formed in 1963 that played psychedelic rock and hard rock. After playing with the Amboy Dukes, he embarked on a solo career.
Nugent has attracted attention for his often controversial conservative political views, as well as his strident advocacy of hunting and gun ownership rights. He is a board member of the National Rifle Association and a strong supporter of the Republican Party, and has made a number of controversial and threatening statements against advocates of gun control, in one case having the Secret Service investigate him based on comments about President Barack Obama. Nugent is also known for his stance against drug and alcohol abuse.
The Amboy Dukes:
The first lineup of the Amboy Dukes played at The Cellar, a teen dance club outside of Chicago in Arlington Heights, Illinois, starting in late 1965, while Nugent was a student at St. Viator High School. The Cellar's "house band" at the time had been the Shadows of Knight, although the Amboy Dukes eventually became a staple until the club's closing.
The Amboy Dukes' second single was "Journey to the Center of the Mind", which featured lyrics written by the Dukes' second guitarist Steve Farmer. Nugent, an ardent anti-drug campaigner, has always claimed that he had no idea that this song was about drug use. The Amboy Dukes (1967), Journey to the Center of the Mind (1968), Migration and Rusty Day (1969)—all recorded on the Mainstream label—sold moderately well. On April 5, 1968, Nugent along with a group of musicians paid tribute to Martin Luther King by having a folk, rock and blues jam session. Joni Mitchell played first, followed by Buddy Guy, Cactus, and Jimi Hendrix. Other musicians who participated were BB King and Al Kooper.
After settling down on a ranch in Michigan in 1973, Nugent signed a record deal with Frank Zappa's DiscReet Records label and recorded Call of the Wild. The following year, Tooth Fang & Claw (which contained the song "Great White Buffalo", arranged with Rob Grange) established a fan base for Nugent and the other Amboy Dukes. Personnel changes nearly wrecked the band, which became known as Ted Nugent & the Amboy Dukes. Nugent reunited with the other members of the Amboy Dukes at the 2009 Detroit Music Awards, which took place April 17, 2009. The psychedelic band received a distinguished achievement honor at the event. The Dukes also played together at the ceremony, marking their first public performance in more than 30 years.
Solo career:
Nugent dropped the Amboy Dukes band name for good in 1975, and signed to Epic Records. Derek St. Holmes (guitar, vocals), Rob Grange (bass) and Clifford Davies (drums) were the primary additional band members for his 1970s multi-platinum[27] albums: Ted Nugent (1975), Free-for-All (1976) and Cat Scratch Fever (1977). These albums produced the popular radio anthems "Hey Baby", "Stranglehold", "Dog Eat Dog", and "Cat Scratch Fever". Despite most of the songwriting credits being listed as solely Nugent, St. Holmes claims they were co-written by the whole band, and that Nugent took sole credit as a way to not pay them royalties.
It was during these three years that Nugent emerged as a guitar hero to hard rock fans, many of whom were unaware of his lengthy apprenticeship with the Amboy Dukes. This band lineup toured extensively, also releasing the multi-platinum live album Double Live Gonzo! (1978), until its breakup in 1978 when St. Holmes and Grange departed. St. Holmes was replaced by Charlie Huhn and Grange by Dave Kiswiney. Davies left around 1982 after staying on to record Weekend Warriors (1978), State of Shock (1979), Scream Dream (1980) and Intensities in 10 Cities (1981). The "Intensities in 10 Cities" album includes the controversial song "Jailbait."
On July 8, 1979, Ted was on the rock radio program King Biscuit Flower Hour. This was the original broadcast of Ted's performance of Live at Hammersmith '79 which had been recorded during the second set of a night at London's Hammersmith Odeon in 1979. An album of this program was released in 1997.
