sexta-feira, 30 de janeiro de 2015

Porcupine Tree - Neo Prog Rock...


Porcupine Tree é uma banda britânica formada em Hemel Hempstead, Hertfordshire, Inglaterra. É o projeto musical de maior sucesso e projeção do músico Steven Wilson, como evidenciado pela popularidade da banda. É constituída por uma mistura de rock progressivo, rock psicadélico, experimentalismo avant garde e heavy metal. Apesar disso, o vocalista Steven Wilson não possui a mesma opinião. Ele cita que a música de sua banda é muito simples, sem elementos complexos. A complexidade está na produção, na maneira como os álbuns são construídos.


Em 1987, o Porcupine Tree começou como um projeto solo de Steven Wilson, e, de certo modo, nasceu como uma brincadeira. Wilson cita que foi iniciado logo quando ele possuía dinheiro suficiente para comprar seu próprio equipamento para estúdio. Também diz que quando você possui um estúdio em casa você faz coisas que não faria quando paga para usar um estúdio profissional, justamente pela falta de tempo disponível. No início de 1989, Steven classificou algumas de suas gravações para compilar uma fita de oitenta minutos intitulada Tarquin's Seaweed Farm, que era acompanhada de um encarte de 8 páginas com informações sobre membros obscuros da banda, como Sir Tarquin Underspoon, Timothy Tadpole-Jones e Linton Samuel Dawson. Wilson enviou cópias da compilação para pessoas que ele julgava interessadas no projeto. Uma delas se dirigiu a revista britânica underground Freakbeat, dirigida por Richard Allen e Ivor Trueman. Desconhecidos de Steven na época, eles estavam em processo de criar seu próprio selo musical. Apesar de terem feito críticas negativas ao álbum na revista, eles convidaram o Porcupine Tree para contribuir em uma música para seu primeiro lançamento, um álbum de compilações dos melhores grupos de música psicodélica no meio underground.


Em 1990, Wilson pode tornar a música sua carreira, quando seu outro projeto No-Man assinou contrato com gravadoras de respeito. Este projeto recebeu boas críticas da imprensa. Livre de seu antigo trabalho, Steven começou a distribuir a música do Porcupine Tree através da fita sucessora, The Nostalgia Factory, acompanhado novamente de livretos com uma história imaginária sobre a banda e outras informações de fantasia. As fitas provocaram interesse no meio underground. Logo depois, Steven foi convidado pelo novo selo para ser um dos primeiros artistas a assinar contrato com a Delerium. O convite original era para relançar as duas primeiras fitas em um álbum duplo, mas Steven decidiu compilar o melhor material em um álbum que se tornou o On the Sunday of Life.... O resto do material se tornou uma edição especial intitulada Yellow Hedgerow Dreamscape.
 

A partir de dezembro de 1993 a banda começou a se apresentar em shows com Steven na voz e guitarra, Colin Edwin no baixo, Chris Maitland na bateria e Richard Barbieri no teclado. Todos os três novos membros do grupo trabalharam com Steven em vários projetos antecedentes. Essa nova formação formou uma boa química, como ilustrada posteriormente pelo álbum Spiral Circus, em 1997. Lançado em 1995, o terceiro álbum da banda The Sky Moves Sideways se tornou um sucesso entre fãs do progressivo, com a banda sendo ovacionada com o Pink Floyd dos anos 1990. O álbum era uma experimentação melódica do rock.  A partir daí, Porcupine Tree lançou grandes álbuns e apresentamos alguns exemplos a seguir:
















The Sky Moves Sideways - 1995





























quarta-feira, 28 de janeiro de 2015

Leonard Cohen - The Poet, The Singer



Leonard Norman Cohen (Montreal, 21 de setembro de 1934) é um cantor, compositor, poeta e escritor canadense. Embora seja mais conhecido por suas canções, que alcançaram notoriedade tanto em sua voz quanto na de outros intérpretes, Cohen passou a se dedicar à música apenas depois dos 30 anos, já consagrado como autor de romances e livros de poesia. 




Leonard Cohen nasceu em Montreal, província de Quebec, Canadá, de uma família judia de origem polonesa (polaca). A sua infância foi marcada pela morte de seu pai quando Cohen tinha apenas 9 anos, fato que seria determinante para o desenvolvimento de uma depressão que o acompanharia durante boa parte da vida. Aos 17 anos, ingressa na Universidade McGill e forma um trio de música country. Paralelamente, passa a escrever seus primeiros poemas, inspirado por autores como García Lorca. Em 1956, lança seu primeiro livro de poesia, Let Us Compare Mythologies, seguido em 1961 por The Spice Box of Earth, que lhe conferiria fama internacional. Após o sucesso do livro, Cohen decide viajar pela Europa, e acaba por fixar residência na ilha de Hidra, na Grécia, onde passa a viver junto com Marianne Jensen e seu filho, Axel.


Já estabelecido como escritor, Cohen decide se tornar compositor. Para isso, muda-se para os Estados Unidos, onde conhece a cantora Judy Collins, que grava duas de suas composições ("Suzanne" e "Dress Rehearsal Rag") em seu disco In My Life, de 1966. No ano seguinte, Cohen participa do Newport Folk Festival, onde chama a atenção do produtor John Hammond, o mesmo que antes havia descoberto, dentre outros, Billie Holiday e Bob Dylan. Songs of Leonard Cohen, seu primeiro disco, é lançado no final do ano, sendo bem recebido por público e crítica. Seu próximo disco, Songs from a Room, seria produzido por Bob Johnston, produtor dos principais trabalhos de Dylan nos anos 60. Embora não tão bem recebido quanto o anterior, contém a canção "Bird on the Wire", que o próprio Cohen disse ser a sua favorita dentre as suas composições. Em 1971, lança Songs of Love and Hate, um disco mais sombrio que os anteriores. No mesmo ano, o diretor Robert Altman, em seu filme McCabe & Mrs. Miller, utiliza três canções de Cohen: "Sisters of Mercy", "Winter Lady" e "The Stranger Song", todas do primeiro disco do cantor.


Em 1994, consolidando a sua aproximação com o budismo, Cohen passa a viver no mosteiro de Mount Baldy Zen Center, próximo de Los Angeles. Em 1996, seria ordenado monge zen, e ganharia o nome Dharma de Jikan ("silencioso"). Sua experiência no mosteiro iria até o ano de 1999, quando voltaria a morar em Los Angeles. Apesar disso, Cohen ainda se considera judeu, ressaltando que não procura "por uma nova religião". Em 2006 é lançado o aclamado documentário Leonard Cohen: I'm Your Man, onde relatos do cantor são intercalados com versões de suas músicas interpretadas por artistas como Rufus Wainwright e Nick Cave. No fim da película o próprio Cohen interpreta, junto ao U2, a música "Tower of Song".


Palhinha:







Curiosidades:
  • Leonard Cohen é citado na canção Pennyroyal Tea da banda grunge Nirvana no trecho : Give Me A Leonard Cohen afterworld , so I can Sigh Eternally
  • Leonard Cohen é citado no livro Comer, rezar, amar eat, pray, love de Elizabeth Gilbert
  • Leonard Cohen é citado no livro História do Cerco de Lisboa de José Saramago
Alguns álbuns:
























segunda-feira, 26 de janeiro de 2015

Shotgun Ltd - Hard Rock USA

Peter's Gift

Shotgun Ltd foi uma banda que se formou em 1970 e se separou em 1971, deixando este discaço como legado... Um Hard Rock de primeira e único registro.

Joe Gutierrez, singer of the band:

"We all grew up in the Culver City, Mar Vista area of Los Angeles. The band was originally a 5 piece surf instrumental band called The Twilighters. I joined them about 1967 when they wanted a little more singing. I would eventually be the Mick Jagger Model Front Man. The band then was renamed The Ash and we got pretty popular on the West Side in my high school years, making pretty good money on the weekends, and becoming more of a progressive rock cover band. We even managed to play at The Galaxy on the Sunset Strip where The Doors had been regulars. We also did a month at Gazzari's up the street. Things got a little serious about 1969, when the drummer suggested we start composing our own music. We had been doing a semi residency at a local Teen Club and we actually stopped playing there about a year later for about 3 months to write songs. We came back and got a positive reaction to our own music and decided to pursue 'the dream' of a recording contract. My girlfriend's father got us hooked up to Rick Jarrad who produced Jefferson Airplane to record a single on ABC Probe that went no where. Our bass player decided to leave soon after, and suggested if we were serious, to also replace the drummer. We did. We auditioned a few bass players, and then our rhythm guitarist offered to play bass. We stuck with him. One night we met a guy named Jim Loppnow who was managing another band. He eventually became our manager, and he got us, about a year later, the open door to Prophesy Records, a label started by Mickey Shapiro, future lawyer for Fleetwood Mac. Shapiro decided stronger management was needed so we got hooked up with Alan Pariser who was handling Delaney & Bonnie and Dave Mason at the time. Loppnow was still in the fold, helping out at gigs and representing us dealing with the label and such. Delaney Bramlett listened to us Showcase one night and decided to have his keyboardist Jim 'Jaime' Gordon produce our album. We recorded it at The Sound Factory (where many famous recordings were made) in Hollywood. Dave Hassinger engineered. I think we did the album in about 3 months time in 1970, but things started going sour with the label not long after. With Pariser having trouble with his artists, it took until the next year to finally release the album. By then we were already writing better (we felt) songs. We had decided to fire Loppnow due to him taking liberties without consulting us, and looking back, that was probably a bad decision on our part. Prophesy decided not to record a second album, and with no real management left, we lasted another year and that was that.

I listen to the album now, and it's not bad for young guys. I think it's as good even better than some of the similar style stuff that came later. None of us were older than 20 when it came out. At the time James Taylor and Carol King were the most popular artists and Heavy Rock was not in style. Later on in the late 70s, it would come roaring back. Who knows? Maybe we should have hung in there, but that's life." 







Faixas:
01. Bad Road (Jim Loppnow, Dave Norup) - 03:28 
02. Against The Wall (Buzzie Buchanan, Jack Schoolar) - 05:15 
03. Number Two (Joe Gutierrez, Jack Schoolar) - 06:49 
04. Remédio para um dia obscuro (Joe Gutierrez, Jack Schoolar, Dave Norup) - 02:53 
05. I Do not Mind (Joe Gutierrez, Jack Schoolar) - 05:55 
06. On Top Of You (R.Lawson, Jack Schoolar) - 04:46 
07. River Of Hope (Jack Schoolar) - 3:00 
08. Trials (Joe Gutierrez, Ruben Dominguez, Jack Schoolar) - 03:31 
09. Feelin 'Bad (Jim Loppnow, Ruben Dominguez) - 05:54 
10. Mixed Nuts (Joe Gutierrez, Dave Norup) - quatro sete 

Pessoal:
- Joe Gutierrez - vocais 
- Jack Schoolar - Guitarra solo, dobro (07), backing vocals 
- Dave Norup - órgão 
- Ruben Dominguez - Bass, congas e vocal de apoio 
- Buzzie Buchanan - bateria, percussão 
- Jim Gordon - piano, saxofone tenor, harpa (07), sintetizador Moog (09), o produtor 
- Ben Benay - violão de 12 cordas, guitarra elétrica 
- Jerry Jumonville - saxofone tenor



sábado, 24 de janeiro de 2015

Keith Emerson & Greg Lake

Peter's Gift

Keith Emerson and Greg Lake, two-thirds of Emerson, Lake & Palmer, have released ‘Live From Manticore Hall,’ a 10-track live album recorded during the duo’s 2010 world tour. The record contains some of ELP’s best-loved songs including ‘Lucky Man,’ ‘From the Beginning,’ and ‘Tarkus.’ “‘Live From Manticore Hall’ is an introspective revisit to some of the music of ELP,” Emerson said in a press release. “I think Greg and I gave it a personal touch with our Q&A sessions midway through the show. It was a delicate transformation that we present now.”


The missing ingredient to a full-fledged Emerson, Lake & Palmer reunion is, of course, drummer Carl Palmer. Although the trio has occasionally worked together since their initial reunion in the early ’90s, it was a 2010 performance by the trio at the High Voltage Festival that fueled Palmer’s decision to nix future performances.
“We rehearsed for five weeks, which I could never understand why we needed to rehearse that long,” Palmer said last year. “Upon hearing the recordings, maybe five weeks was not long enough. It wasn’t to the standard that I liked and I didn’t think it sounded that good.”
“For me, it’s just a pride thing,” Palmer added. “Unless it’s as good as what it can be, then I can’t do it. I would have carried on if it had been as good as it was. I don’t believe it was and I don’t believe it would have ever gotten back to that standard.”

Read More: Keith Emerson & Greg Lake Release 'Live From Manticore Hall' 
(http://ultimateclassicrock.com/keith-emerson-greg-lake-live-from-manticore-hall/)




Palhinha:









More Greg Lake & Keith Emerson:


Emerson, Lake & Palmer after ELP... (14 albuns)



Emerson, Lake and Palmer before ELP...



quarta-feira, 21 de janeiro de 2015

Junior Walker & The All Stars

Loumy93's Gift
Autry DeWalt Mixon, Jr. (June 14, 1931 – November 23, 1995), known by the stage name Junior Walker, was an American musician. His group, Junior Walker & the All Stars, were signed to the Motown label in the 1960s, and became one of the label's signature acts. His career started when he developed his own band at the age of 14, in the mid-1950s as the "Jumping Jacks." His longtime friend Billy Nicks (drummer) formed his own team, the "Rhythm Rockers." Periodically, Nicks would sit in on Jumping Jack's shows, and Walker would sit in on the Rhythm Rockers shows. Nicks obtained a permanent gig at a local TV station in South Bend, Indiana, and asked Walker to join him and his keyboard player (Fred Patton) permanently. Shortly after, Nicks asked Willie Woods, a local singer, to perform with the group; shortly after Woods would learn how to play guitar also. When Nicks got drafted into the United States Army, Walker convinced the band to move from South Bend to Battle Creek, Michigan. While performing in Benton Harbor, Walker found a drummer, Tony Washington, to replace Nicks. Eventually, Fred Patton (piano player) left the group, and Victor Thomas stepped in. The original name, "The Rhythm Rockers," was changed to "The All Stars". Walker's squealing gutbucket style was inspired by jump blues and early R&B, particularly players like Louis Jordan, Earl Bostic, and Illinois Jacquet.


The group was spotted by Johnny Bristol, and he recommended them to Harvey Fuqua, in 1961, who had his own record labels. Once the group started recording on the Harvey label, their name was changed to Junior Walker & the All Stars. When Fuqua's labels were taken over by Motown's Berry Gordy, Jr. Walker & The All Stars became members of the Motown Records family, recording for Motown's Soul imprint in 1964. The members of the band changed after the acquisition of the Harvey label. Tony Washington, the drummer, quit the group, and James Graves joined the group in the Motown family. Their first and signature hit was "Shotgun," written and composed by Walker and produced by Berry Gordy, which featured The Funk Brothers' James Jamerson on bass and Benny Benjamin on drums. "Shotgun" reached No. 4 on the Billboard Hot 100 and No. 1 on the R&B chart in 1965, and was followed by many other hits, such as "(I'm A) Road Runner," "Shake and Fingerpop" and covers of the Motown tracks, "Come See About Me" and "How Sweet It Is (To Be Loved by You)". In 1966, Graves left and was replaced by old cohort Billy "Stix" Nicks, and Walker's hits continued apace with tunes such as "I'm a Road Runner" and "Pucker Up Buttercup".[1]


In 1969, the group had another hit enter the top 5, "What Does It Take (To Win Your Love)" A Motown quality control meeting rejected this song for single release, but radio station DJs made the track popular, resulting in Motown releasing it as a single, whereupon it reached No. 4 on the Hot 100 and No. 1 on the R&B chart. From that time on Walker sang more on the records than earlier in their career. He landed several more R&B Top Ten hits over the next few years, with the last coming in 1972.[1] In 1979, Walker went solo, disbanding the All Stars, and was signed to Norman Whitfield's Whitfield Records label, but he was not as successful on his own as he had been with the All Stars in his Motown period.

Junior Walker died of cancer at the age of 64, in Battle Creek, Michigan, on November 23, 1995.[1] He had been inducted into the Rhythm and Blues Foundation that year. Junior Walker is buried in Oak Hill Cemetery, in Battle Creek, Michigan, under a marker inscribed with both his birth name of Autry DeWalt Mixon, Jr., and his stage name.

Walker's "Shotgun" was inducted into the Grammy Hall of Fame in 2002.

Palhinha: