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EPIDAURUS were a mid seventies German progressive outfit formed around 1976. Their first album showed that they were firmly rooted in the early 70's progressive style of YES, PINK FLOYD and fellow German rockers, ELOY. This album were Symphonic rock at its best, with mellotron, lots of keyboards and a beautiful female voice. "Earthly Paradise" is a classic prog album, serving a mellifluous mélange of melodic Mellotron and Moog. A second album, "Endangered", featuring songs from 1978 rerecorded in the nineties, was released in October/November 1994. The first three songs are great, the rest almost drifts away to pop regions. This album, although carrying on in a similar vein to the debut, wasn't particularly well received either and the band split in 1995.
Initially called The CAGE, this trippy West Coast psych band from the 60's were quite sophisticated for their time. They started off in 1968 when keyboardist Bill Cosby joined forces with guitarist Dave Padwin and two female musicians, namely bassist Carolyn Lee and drummer Dora Wahl. All four were either classically trained or seasoned club veterans, Cosby himself being a UCLA music major. Evolving smack in the middle of the flower power era, they played their blistering rockers and wispy melodies quite convincingly, borrowing from jazz, classical music, avant-garde and rock. On the psychedelic side, they were definitely more song oriented than, say, early PINK FLOYD; although they did pour a mean dose of organ on their self-titled LP, released in 1969. Unfortunately, a year later Cosby got drafted and the band broke up. Their album is a fascinating testimony of a different time and place. Highly organ dominated, it has just about everything one would expect from a late 60's album: driving rhythms, heavy guitar riffs, trippy Farfisa organ and cool, groovy male/female vocals by Cosby and especially Lee who delivers her druggy, cosmic lyrics with style. Their solos are concise and they know how to lock into a groove without jamming aimlessly, as did so many bands of that era. They also know how to structure songs that best display their strengths although in retrospect, it is their softer tunes that seem to have aged better, especially those with a nice gothic/classical feel. The CD version, which was recorded from the master tapes, comprises five bonus tracks, all of them instrumental versions of songs from the LP. Highly recommended to collectors of early psychedelia, particularly to fans of the band IT'S A BEAUTIFUL DAY.
EPIDAURUS were a mid seventies German progressive outfit formed around 1976. Their first album showed that they were firmly rooted in the early 70's progressive style of YES, PINK FLOYD and fellow German rockers, ELOY. This album were Symphonic rock at its best, with mellotron, lots of keyboards and a beautiful female voice. "Earthly Paradise" is a classic prog album, serving a mellifluous mélange of melodic Mellotron and Moog. A second album, "Endangered", featuring songs from 1978 rerecorded in the nineties, was released in October/November 1994. The first three songs are great, the rest almost drifts away to pop regions. This album, although carrying on in a similar vein to the debut, wasn't particularly well received either and the band split in 1995.
RUPHUS is probably one of the most important 70's Norwegian hard rock band with progressive tendencies (there were a few of those back then: AUNT MARY, TITANIC, POPOL VUH / ACE etc..) but their music evolution would differ greatly from those groups. Their debut "A New Born Day" is certainly one of the best Norwegian albums with a very exciting sound and its extraordinarily communicative enthusiasm, even if a bit dated. But three members left after the album release and a new singer was found for their second album "Ranshart", a more progressive record looking towards YES and FOCUS, but it was not quite as exciting as the debut. Future jazz-rock legend Terje Rypdal produced their third album "Let Your Light Shine", a jazz-rock album that had much success in Germany, but again, personnel change struck at the worst of times, but their fourth album "Inner Voice" continued the formula, but further changes undermined the group, eventually folding at the end of the decade to general indifference.
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