The Flower Kings biography (http://www.progarchives.com/artist.asp?id=110)
Active since 1994
It's hard to make a biography about THE FLOWER KINGS, being that there's so much to say about them, so any attempt of telling their history may seem insufficient.
This esential Swedish group was born around 1993 as a power trio formed by Roine Stolt (Ex-KAIPA) in guitar and vocals, Jaime Salazar (Drums) and Hasse Bruniusson (percussion), and ex-SAMLA MAMMAS MANNA, this lineup worked with Stolt in his solo album "The Flower King" with the participation of Hans Fröberg (Lead and Backing vocals) who would stay with them.
Soon they decided to form a band using the name of the solo album so THE FLOWER KINGS was born, the keyboardist Tomas Bodin and Roine's brother Michael in the bass joined and the band was officially born.
For 1995 they have their first release ready "Back in the World of Adventures" which impressed the critics very much for their closeness to the style of early bands such as Moody Blues, genesis, Jethro Tull etc, borrowing ideas but not music, so you can easily find their inspiration but a single chord copied, I personally liked the album but found it closer to Neo Prog than to Symphonic but this is only a stylistic precision that has no relation with the quality of the album.
The next few years are prolific with few changes and they release "Retropolis" in 1996. Stardust we Are" in 1997 and "Flower Power" in 1998 with no great changes.
In 1999 Michael Stolt leaves the band and is replaced by Jonas Reingold so the new formation for "Space Revolver" in the year 2000 also includes Ulf Wallander playing the Sax as a guest that remains for a long period with them.
After "The Rainmaker" in 2001 Jaime Salazar leaves the band and the drums are taken by Zoltan Csörsz who stays in the band until the release of "Paradox Hotel" (2005) when is replaced by Marcus Liliequist.
As most Swedish bands the quality of their music and the musicianship of their members is impeccable but don't expect the complexity of their most illustrious compatriots like Anglagard or the dark and almost religious atmosphere of Par Lindh Project (With whom Roine worked in Gothic Impressions), being that the music of THE FLOWER KINGS is a bit lighter but not inferior by any means.
Iván Melgar Morey - Perú
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