Ron Carter & Eric Dolphy - Jazz

Where? is the debut album by bassist Ron Carter recorded in 1961 and released on the New Jazz label. Some reissues of the album appear under Eric Dolphy's name. The Allmusic review by Jim Todd stated "Carter and Dolphy had played together in Chico Hamilton's group and on Dolphy's important 1960 date Out There. Where? has elements in common with both, but is closer to Hamilton's late-'50s chamber jazz than to the more outward-bound Dolphy date. ... Carter's skill is undeniable, but his playing on Where? is a bit polite and monochromatic. ...Dolphy -- playing bass clarinet, alto sax, and flute -- is a far more interesting prospect, even if he doesn't blow his face off to the extent he did in other settings"

Ronald Levin "Ron" Carter (born May 4, 1937) is an American jazz double bassist. His appearances on 2,221 recording sessions make him the most-recorded jazz bassist in history. Carter is also a cellist who has recorded numerous times on that instrument. Some of his studio albums as a leader include: Blues Farm (1973); All Blues (1973); Spanish Blue (1974); Anything Goes (1975); Yellow & Green (1976); Pastels (1976); Piccolo (1977); Third Plane (1977); Peg Leg (1978); and A Song for You (1978). He was a member of the Miles Davis Quintet in the early 1960s, which also included Herbie Hancock, Wayne Shorter and drummer Tony Williams. Carter joined Davis's group in 1963, appearing on the album Seven Steps to Heaven and the follow-up E.S.P.. Carter also performed on some of Hancock, Williams and Shorter's recordings during the sixties for Blue Note Records. He was a sideman on many Blue Note recordings of the era, playing with Sam Rivers, Freddie Hubbard, Duke Pearson, Lee Morgan, McCoy Tyner, Andrew Hill, Horace Silver and many others. He was elected to the Down Beat Jazz Hall of Fame in 2012. In 1993, he won a Grammy Award for Best Jazz Instrumental Group and another Grammy in 1998 for "an instrumental composition for the film" Round Midnight. In 2010 he was honored with France's premier cultural award, the medallion and title of Commander of the Ordre des Arts et des Lettres.

Eric Allan Dolphy, Jr. (June 20, 1928 – June 29, 1964) was an American jazz alto saxophonist, bass clarinetist and flautist. On a few occasions, he also played the clarinet and piccolo. Dolphy was one of several multi-instrumentalists to gain prominence around the same time. His use of the bass clarinet in jazz performance probably finally established the instrument in the music, and he extended the vocabulary and boundaries of the alto saxophone, and was among the earliest significant jazz flute soloists. His improvisational style was characterized by the use of wide intervals, in addition to using an array of extended techniques to emulate the sounds of human voices and animals. Although Dolphy's work is sometimes classified as free jazz, his compositions and solos were often rooted in conventional (if highly abstracted) tonal bebop harmony and melodic lines that suggest the influences of modern classical composers such as Béla Bartók and Igor Stravinsky.

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