Stephen James Howe (born 8 April 1947) is an English musician, songwriter and producer, best known as the guitarist in the rock band Yes across three stints since 1970. Born in Holloway, North London, Howe developed an interest in the guitar and began to learn the instrument himself at age 12. He embarked on a music career in 1964, first playing in several London-based blues, covers, and psychedelic rock bands for six years, including the Syndicats, Tomorrow, and Bodast.
Upon joining Yes in 1970, Howe helped to establish the band's change in sound, a change that led to their commercial and critical success. Many of their best-known songs were co-written by Howe, who remained with the band until they briefly disbanded in 1981. Howe returned to the group in 1990 for two years and has remained a full time member since 1995.
Howe achieved further success in the 1980s and beyond as a member of the rock bands Asia, GTR, and Anderson Bruford Wakeman Howe. He also has a prolific solo career, releasing 20 solo albums that reached varied levels of success and collaborated with artists such as Frankie Goes to Hollywood, Martin Taylor, and Queen. He continues to perform with Yes, as a member of his jazz group, the Steve Howe Trio, and as a solo act. In April 2017, Howe was inducted into the Rock and Roll Hall of Fame as a member of Yes.
Before joining Yes, Steve Howe had nearly a decade's worth of experience with other groups under his belt. This is a first-rate 25-track compilation of his '60s work, with six previously unreleased cuts, starting in 1964 with the raw R&B/beat band the Syndicats, moving to soul-mod with the In Crowd, psychedelia with Tomorrow (six of the better tracks from their sole LP are included), and progressive rock with Bodast. Howe's playing is always interesting, and the material is pretty solid, serving almost as a road map of British rock trends of the '60s. It also includes the unreleased instrumental single he cut under his own name in 1967, a rare single by Tomorrow singer Keith West, and an unreleased track by the short-lived Canto, which was renamed Bodast. Although the six tracks by Tomorrow and the three by Bodast are easily available on separate CDs devoted to those groups, the remainder are quite hard to find. As a whole, it shows him as a player nearly the equal of Jimmy Page in versatility and imagination, although Howe's work from this time is much less widely recognized.
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