domingo, 23 de setembro de 2018

The Apples - Jazz & Funk (Israel)


The Apples are impressively international, with band members hailing from Tel Aviv, New York, Jerusalem and Haifa. The nine piece band play funk, jazz and groove and include a drummer, bassist, four brass players, two DJs and a sound console operator.

"Each member of the band has a different musical background so The Apples is a great opportunity to bring it all together,” says DJ Erez Todres.

The decks, horns, bass, drums and effects ensemble formed in 2002. Students at Jerusalem’s Rubin Academy of Music joined with Southern Tel Aviv’s burgeoning underground scene and Haifa’s creative jazz/ethno mentality and together began exploring spontaneous, groove-based, jazz flavoured danceable improvised music.


Turntable king Ofer Tal says: “Funk is the grounding behind what we do as a band but we try to involve other influences and humour is also really important to us. People always come up to us after our shows and tell us they can see from our performance that we really enjoy what we do out there on stage.”

As interest in the band grew, jams became parties, became events, became international tours. The band’s Attention! LP and single (2006) led to London-based Freestyle Records, through which in 2007 the band released their notorious version of Rage Against the Machine’s Killing in the Name Of, followed by the Buzzin’ About LP (2008), and The Power EP (2009).










sábado, 22 de setembro de 2018

Nação Zumbi - Manguebeat - Rock (Brazil)


Nação Zumbi (formerly known as Chico Science & Nação Zumbi) is a Brazilian rock band, born in the early 1990s in Recife, capital of the state of Pernambuco, from the union of the post-punk rock band Loustal, with the samba-reggae block Lamento Negro, and was originally called "Chico Science & Zumbi Nation". The leader and vocalista of the band, the singer and composer Chico Science, founded, along with the band Mundo Livre S / A, the movement Manguebeat. Alongside bands like Raimundos and Planet Hemp, he was responsible for opening doors for Brazilian rock from the 90s, being one of the most influential Brazilian bands of all time. On February 2, 1997, Chico Science died due to a car accident while driving from Recife to Olinda. In his place in the vocals came Jorge dü Peixe, who already played in the band.



Jimi Tenor & Tony Allen - Inspiration Information (Afro Jazz Funk)


Strut's 'inspiration information? Series moves on from the critically acclaimed mulatu astatke / the heliocentrics collaboration with the fourth album in the series, a mouthwatering head to head between finnish maverick jimi tenor and afrobeat drumming legend, tony allen! Jimi tenor remains a fascinating enigma in modern day music. Consistently one of the best and most unpredictable live artists around, his work since his breakthrough album 'intervision' (warp, 1997) to a series of afro-based albums with his band kabu kabu. Tony allen continues to attract new fans as one of the greatest drummers alive today. Celebrated as the creator of the afrobeat rhythm and a lynchpin of fela kuti's africa 70 band, his recent work has included the good, the bad & the queen collaboration with damon albarn and his first album for world circuit records released earlier this year, 'secret agent'. Recorded at lovelite studios in berlin in november 2008, with further sessions this year in finland and paris, this tenor / allen collaboration whips up a raw, heavy analogue sound mixing the full range of allen's afrobeat repertoire with tenor's off-kilter brew of dark humour, tongue-in-cheek lyrics and tight, firing musicianship. The sessions involved key members of tenor's kabu kabu band. Tenor's trademark saxophone and range of home-made instruments rub shoulders with vintage keyboards and traditional african percussion to create a 'no rules' set that brings the best out of both artists. The resulting album is one of the best recordings that both artists have produced in recent years, topical, biting, funny and always funky, experimental but never straying from 'the one', this is another high quality addition to the 'inspiration information' series!



Luther Allison - Blues (USA)


An American-born guitarist, singer, and songwriter who lived in France since 1980, Luther Allison was the man to book at blues festivals in the mid-'90s. Allison's comeback into the mainstream was ushered in by a recording contract with an American record company, Chicago-based Alligator Records. After he signed with Alligator in 1994, Allison's popularity grew exponentially and he worked steadily until his death in 1997.

This is another relatively obscure release by the late, great Luther Allison. Recorded in Europe, they got it RIGHT! The recording is balanced and pleasing to the ear, and Luther's stinging lead guitar and singing are spot on. After the title song "Time" - which is decidedly R&B, Luther redirects his swampy blues self, and this tasty CD seems to finish way too early. It certainly grew on me.





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Los Míticos Del Ritmo - Cumbia (Colombia)


From the sweltering heat of Cali, Colombia Will ‘Quantic’ Holland’s studio band Los Miticos Del Ritmo (The Mythics of Rhythm) return with an album of hip shaking, dancefloor quaking instrumental cumbias. The LP is 100% analogue and comes with an original screen-printed front cover designed by the London based artist Lewis Heriz. 

Assembled using vallenato and cumbia musicians living in Cali, Los Miticos del Ritmo are a 7 piece studio band put together by British musician, producer and now Colombian resident Will ‘Quantic’ Holland. 

Covers of Queen’s ‘Another One Bites The Dust’, Michael Jackson’s ‘Don’t Stop’ and Gildardo Montoya’s Fabiola (as featured on Soundway’s ‘The Original Sound of Cumbia’) sit along side original cumbias on this feel good, house party cumbia LP. 

Recorded in Will’s home studio in Cali, his approach was to produce an album with the aesthetics of 1960s tropical recordings made in Colombia and the Caribbean. Careful attention made to preserve the analogue quality of the recording at every stage.

Accordion, Producer – Will Holland
Bass – Fernando Silva
Clarinet, Saxophone – Wilfredo Peña
Cover [Front] – Lewis Heriz
Mastered By – Frankie Francis
Percussion – Jorge Luis Hoyos




sexta-feira, 21 de setembro de 2018

Chocolate Watch Band - Rock


The Chocolate Watchband is an American garage rock band that formed in 1965 in Los Altos, California. The band went through several lineup changes during its existence. Combining psychedelic and garage rock components, their sound was marked by David Aguilar's lead vocals, as well as proto-punk musical arrangements. The band's rebellious musical posture made them one of the harder-edged groups of the period.

The Chocolate Watchband was signed to Tower Records in 1966 and released their first single, "Sweet Young Thing", in 1967. Later in the year, the band released their debut album, No Way Out. Though the album was nationally unsuccessful, the band became a frequent attraction in San Jose and the San Francisco Bay Area. In 1968, their second album, The Inner Mystique, was released and included the band's most popular song, a cover version of "I'm Not Like Everybody Else". By 1969, the band released their final album, One Step Beyond, however it was not as highly regarded as their past work, and the band broke up in 1970.

This band should not be confused with The Chocolate Watch Band, a London-based UK group that issued two singles on Decca Records in 1967.



The Black Ryder - Psychedelic Electronic Rock (Australia)


The debut LP from Australian duo The Black Ryder - ‘Buy The Ticket, Take The Ride’ - was originally released in 2009 to wide-spread acclaim and Fuzz Club is delighted to be giving the LP a deluxe re-issue. There aren't many bands who have managed to truly capture the swirling, kaleidoscopic sounds of the 80s but The Black Ryder are undoubtedly one of them. It’s woozy, droning and totally sublime shoegaze with a dark, psychedelic slant - bringing to mind an ethereal mix of My Bloody Valentine, Black Rebel Motorcycle Club and The Jesus & Mary Chain. 

Straight from the land of OZ, we are pleased to introduce a very special full length release on Mexican Summer, The Black Ryder: Buy The Ticket, Take The Ride. Harping a comforting 90's sound of drone and candy, this amazing record is a true trip from start to finish.Previously released only in Australia in 2009, Buy The Ticket, Take The Ride is chock full of brooding vocals and dark mysterious paths on a pitch black open road. Complimented with comfort by a tambourine beat of dreams, singer Aimee Nash's voice is a soothing romp reminiscent of shoegaze hero Hope Sandavol.



Jean Claude Pelletier - Jazz, Funk & Soul (France)


A somewhat perfect hybrid of American soul’s energy and the science of French pop. The year is 1974, Jean-Claude Pelletier has seen the light: thanks to a trip to the States he’s bowled over by the power of funk and realises that nothing will ever be the same again. From now on he must electrify his jazz and dive into the great big multicoloured acid bath in order to give his music a new pop dimension. We forget we’re listening to a French record and have the strange impression we’re immersed in the ultimate blaxploitation soundtrack. One which sums up funk’s greatest gimmicks and lays down some of funk’s laws for good.

Digitally remastered edition of this 1974 release, one of European rare groove's holy grails. The year is 1974, Jean-Claude Pelletier has seen the light: thanks to a trip to the States he's bowled over by the power of Funk and realizes that nothing will ever be the same again. From now on he must electrify his jazz and dive into the great big multi-colored acid bath in order to give his music a new pop dimension. On listening to Streaking! we see he has kept his promise beyond what we could ever have imagined. The production is what impresses us first, rounded and piping hot, rivaling the best American sessions with no shame. Next comes this infernal, psychotropic groove which doesn't let up on the 11 instrumentals for one minute, launching like running machines.



quinta-feira, 20 de setembro de 2018

Sonny Clark - Jazz (Piano)


NYC, March 23, 1960

"This is a very good session that finally sees the light of the digital day in this terrific hybrid SACD remastered from the original masters by Steve Hoffman. With Hoffman's stamp on this disc, you can rest assured that this disc will sound amazing, and it does not let us down. Sonny's piano is clean and crisp, the acoustic bass is precise without being muddy or buried in the mix, and Max Roach's subtle playing is clearly articulated, especially his brush strokes and cymbal work. It's amazing how a recording done back in 1959 can actually sound better than a tinny, loud modern recording, but in Hoffman's capable hands, that's exactly what you have.
The performances are very impressive on this album. Max Roach is a solid foundation, driving the tunes with some very subtle but effective cymbal work. He also stands out in Minor Meeting, with his most agressive playing. Duvivier is a smooth player who walks the dog as well as anyone in the business and has some tasty business on Sonny's Crip. Sonny Clark is a great bop pianist, who reminds me a lot of Bud Powell, but is more lyrical and melodic in his soloing. The tunes here are not memorable, but basically work as good set pieces for the improvisations.
All in all, this is a quality jazz session that will leave you smiling..."

This lesser-known Sonny Clark session (his only studio album not made for Blue Note) is sometimes issued under drummer Max Roach's name, too. They are joined by bassist George Duvivier for a set of generally obscure Clark originals including "Minor Meeting," "Blues Mambo," and "My Conception" (which is taken as an unaccompanied piano solo). Although not obvious while listening to his recording, Clark's life was in decline and this would be his penultimate date as a leader.




STRAWBS - Prog Folk • United Kingdom


Formed in London, UK in 1964 - Hiatus from 1980-1983 - Still active as of 2018

One of the better British progressive groups, The STRAWBS were a 60's folk and medieval band turned prog-rock with the help of Dave COUSINS (the heart and soul of this group) and Rick WAKEMAN "master of the keyboards". WAKEMAN is featured on the albums "Strawbs", "Dragonfly", "Just A Collection of...", and "From The Witchwood" before he joined YES. The line-up for the group changed markedly over the years. Their sound has been in a state of constant evolution combining English folk and progressive sounds to form their unique style. Critics seem to have a preference for the STRAWBS in the early Seventies when the group consisted of Tony & John HOOPER, John FORD, Richard HUDSON and keyboard virtuoso Rick WAKEMAN. The group ceased to exist at the end of the 1970s, and COUSINS embarked on some solo projects. STRAWBS would appeal to fans of bands like FAIRPORT CONVENTION, STEELEYE SPAN, PENTANGLE, etc.

They have recorded over 15 albums through the years, with various lineups around the core of Dave COUSINS who offered beautiful melodic compositions. Every STRAWBS album between "Witchwood" and "Nomadness" has something unique to offer. A perfect introduction to the sound of The STRAWBS is the compilation-CD "A Choice of Strawbs" (16 tracks). It features all their best material from their most creative and "symphonic" period (between '71 and '74). The music of The STRAWBS frequently ranges from folky (acoustic guitars) and classic (piano and harpsichord) to bombastic, symphonic rock (fiery electric guitar and glorious Mellotron in the vein of BARCLAY JAMES HARVEST and The MOODY BLUES). The vocals are powerful with a lot of expression. Another great introduction to The STRAWBS is their live CD entitled "In concert" with BBC recordings from '73 and '74, including compelling renditions of their best works. The lush Mellotron sound evokes every time goose bumps on my skin!




Radomir Mihailović Točak - Blues Rock, Prog Rock ( Yugoslavia)


Radomir Mihajlovic Tocak is an excellent Serbian guitarist born in 1950 in Cacak. He was a founding member of the Smak group with which he recorded a dozen albums. Another of his projects was the band TEK with Slobodan Stojanovic (drums) and Mikica Milosavljevic (bass). During his long career he has composed various soundtracks for film and theater. In 1976 he released his first solo album, "RM Tocak", and seventeen years later came the second, "Vizantijsko plavo". It also has several live discs with different formations. For some it is considered the Serbian Jimi Hendrix.

This magnificent guitarist presents his first solo album containing six instrumental tracks with a total duration of just 30 minutes. His music is characterized by a mixture of styles where rock guitarist joins the jazz rock. The initial theme, "Gold," contains certain folk doses. "Aria Diamond" shows us the true potential of this guitarist with many good riffs with a fast pace. All kinds of techniques are present in "Svrabez" with certain funk airs and with a few final minutes where Tocak is left alone with his guitar. At times it reminds me of the riffs of Tommy Bolin on his solo albums. Featured without a doubt is the song "Organizam Blues", epic guitars with a certain blues touch. Radomir is accompanied by Zoran Milanović (bass), Slobodan Stojanović Kepa (drums) and Lazar Ristovski: (keyboards).

Bass – Zoran Milanović
Drums – Slobodan Stojanović Kepa
Guitar – Radomir Mihailović Točak
Keyboards – Lazar Ristovski




quarta-feira, 19 de setembro de 2018

Crosby, Stills, Nash & Young with Jerry Garcia at P.E.R.R.O. Sessions


Perro, or Planet Earth Rock and Roll Orchestra, was the name given to the group of musicians who played, recorded and jammed together in the early 70’s. They were, essentially, members of Jefferson Airplane, Grateful Dead, Quicksilver Messenger Service, and Crosby, Stills and Nash. Their first album together, Blows Against The Empire, was released, not as the Planet Earth Rock and Roll Orchestra, but as Jefferson Starship (a name later used for Grace Slick and Paul Kantner’s band formed in 1974). They then officially became Planet Earth Rock and Roll Orchestra on David Crosby’s If I Could Only Remember My Name.


In 1971, these musicians got together for rehearsals at Wally Heider Studios and, luckily for us, these sessions were recorded (see below) yielding some truly remarkable music and interactions between this collective group of inspired and supremely talented artists. They were as follows:

David Crosby – guitar, vocals
Graham Nash – guitar, vocals
Paul Kantner – guitar, banjo, vocals
Grace Slick – piano, vocals
Jorma Kaukonen – lead guitar
Jack Casady – bass
Jerry Garcia – guitar, vocals
Phil Lesh – bass
Bill Kreutzmann – drums
Mickey Hart – percussion
David Freiberg – viola, vocals

PERRO 2  - Part of the PERRO tapes.
Planet Earth Rock and Roll Orchestra
Wally  Heider's studio
San Francisco, CA
Recorded 11/4/70 - 1/14/71


Stephen Stills - Rock


Stephen Arthur Stills (born January 3, 1945) is an American singer, songwriter, and multi-instrumentalist best known for his work with Buffalo Springfield and Crosby, Stills, Nash & Young.

Beginning his professional career with Buffalo Springfield, he composed one of their few hits "For What It's Worth," which became one of the most recognizable songs of the 1960s. Other notable songs he contributed to the band were "Sit Down, I Think I Love You", "Bluebird" and "Rock & Roll Woman". According to bandmate Richie Furay, he was "the heart and soul of Buffalo Springfield."

After Buffalo Springfield disbanded, Stills began working with David Crosby and Graham Nash as a trio called Crosby, Stills & Nash (CSN). Stills, in addition to writing much of the band's songs, played bass, guitar, and keyboards on their debut album. The album sold over four million copies and at that point had outsold anything from the three members' prior bands: the Byrds, Buffalo Springfield, and the Hollies. The album won the trio a Grammy Award for Best New Artist.


Neil Young, formerly of Buffalo Springfield, joined CSN months later for their second concert at Woodstock and subsequent album Déjà Vu. Stills played bass, guitar and keyboard on the title track and electric guitar and piano on "Helpless". The album became a huge success and sold over eight million copies. In its wake all four members of CSNY released solo albums that reached the top 20.

Stills's first solo album, Stephen Stills, went gold and is the only album to feature both Jimi Hendrix and Eric Clapton. Its hit single, "Love the One You're With", became his biggest solo hit, peaking at number 14 on the Billboard Hot 100. A string of solo albums, and a band with Chris Hillman called Manassas followed in 1972. In the summer of 1974 Young reunited with CSN after a four-year hiatus for a concert tour which was recorded and released in 2014 as CSNY 1974. It was one of the first stadium tours and the largest tour the band has done to date. CSN reunited in 1977 for their album CSN, which became the trio's best-selling record. CSN and CSNY continued to have platinum albums through the 1980s. Stills's solo career and bands have combined sales of over 35 million albums to date.

Stills was ranked number 28 in Rolling Stone's 2003 list of "The 100 Greatest Guitarists of All Time" and number 47 in the 2011 list. He became the first person to be inducted twice on the same night into the Rock and Roll Hall of Fame for his work with CSN and Buffalo Springfield. According to Neil Young, "Stephen is a genius."



Personnel:
- Stephen Stills - vocals, guitar, keyboards, bass, arranger, conductor, producer
- Eric Clapton, Nils Lofgren - guitars
- Billy Preston, Mac Rabennack, Nils Lofgren, Paul Harris - keyboards
- Calvin "Fuzzy" Samuels - bass
- Conrad Isidore, Dallas Taylor - drums
- Gaspar Lawrawal, Rocky Dijon - congas
- David Crosby, Fearless Freddy, Henry Diltz, Nils Lofgren - vocals 

The Memphis Horns:
- Andrew Love, Ed Logan, Sidney George - tenor saxophones
- Jack Helm - trombone
- Floyd Newman, James Mitchell - baritone saxophones
- Roger Hopps, Wayne Jackson - trumpets

Karl Hector & The Malcouns - Acid Jazz & Funk


Whitefield, along with Thomas Myland and Zdenko Curlija, founded Karl Hector and The Malcouns in the early 2000s. Their debut, Sahara Swing, saw release on Now-Again in 2008. The album swung with influences from across the African diaspora and set the stage for a cult, but influential following. Hermes designer Christophe Lemaire picked tracks from Karl Hector and The Malcouns as amongst his favorites in the Now-Again catalog, and included them on his Where Are You From anthology. Festival promoters intrigued by the possibility of resurrecting the careers of once forgotten African mavericks – from Ghana’s Ebo Taylor to the progenitors of Zambia’s Zamrock scene – brought Hector and crew across Europe playing festivals for ecstatic fans. Unstraight Ahead finds the band exploring territories even outside of the expansive scope of Sahara Swing. On this album, the West African sounds of Ghana and Mali meet the East African sounds of Mulatu Astatke’s Ethiopian jazz and are tied together with the groove heavy experimentalism of The Malcouns’ 70s Krautrock godfathers: Can, of course, but also more obscure and equally adventurous groups like Agitation Free, Ibliss and Tomorrow’s Gift...




All Music on Valvulado!!!!

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