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George Duke was an accomplished keyboardist, producer, arranger, bandleader, and composer. He was successful in both popular music and jazz, and straddled both sides of that aisle for most of his career. Duke grew up in Marin City, California, and in high school played in his first jazz group. His early influences were Miles Davis, Les McCann, and Cal Tjader, all of whom played a role in the diversity of his composing, playing, and arranging. After graduating from high school, he attended the San Francisco Conservatory of Music and majored in trombone and composition with a minor in contrabass; he received his bachelor's degree in music in 1967. He continued his studies at San Francisco State University, where he earned a master's degree, and briefly taught at Merritt Junior College in Oakland. While in school, Duke was part of a house band at San Francisco's Half Note with Al Jarreau. The band backed some of the biggest names in jazz, including Sonny Rollins and Dexter Gordon.
George Duke had been fairly visible in the R&B world thanks to funk gems like "Reach for It" and "Dukey Stick" when he ventured to Rio to record A Brazilian Love Affair, a superb date employing such greats as singers Flora Purim and Milton Nascimento and percussionist Airto Moreira. Although not the return to instrumental jazz some hoped it would be, this heartfelt effort does contain its share of jazz-influenced material. From a jazz standpoint, the CD's most noteworthy songs include Nascimento's "Cravo e Canela," the charming "Brazilian Sugar," "Love Reborn," and the exuberant "Up from the Sea It Arose and Ate Rio in One Swift Bite." Meanwhile, Nascimento's vocal on the ballad "Ao Que Vai Nascer" is a fine example of Brazilian pop at its most sensuous. But however one labels or categorizes this music, the album is clearly a labor of love from start to finish.
In
1987, George Duke formed a R&B group called "101 North", whith Lynn
Davis and the big fellows George Duke Band members Josie James,
Napoleon Murphy Brock, and Carl Carwell (of Earth, Wind, and Fire). The
group released their self-titled debut album in August 1987.
Billy Cobham (16 de maio de 1944) é considerado um dos grandes bateristas da história da música norte-americana. Foi mundialmente reconhecido após gravar o álbum Bitches Brew de Miles Davis, considerado o primeiro álbum de jazz-rock da história da música norte-americana. Participou com Jonh Maclaughin, Rick Laird e Jan Hammer num dos maiores grupos de jazz-rock da história: Mahavishnu Orchestra. Acompanhou grandes nomes do funk como, por exemplo, James Brown. Seu álbum solo mais famoso é o Spectrum, de 1973.
Muito crédito é dado a Cobham por sua incrível técnica e habilidade ao instrumento, tendo influenciado gerações de bateristas das décadas de 1970, 1980 e 1990 tais como Dennis Chambers e Rick Lawton.
Drum Solo
Billy Cobham tem uma discografia incrível, tanto solo como Side man. A seguir são apresentados algumas obras primas deste mago das baquetas.
This bootleg is absolutely different of the official Live On Tour In Europe released in the same year, because the set list is not the same. But still a great one! Was recorded in the Hofstra University, Hempstead, NY (1976, March 19), from FM radio broadcast, with Billy Cobham on drums, George Duke on vocals and keyboards, Alphonso Johnson on bass and John Scofield on guitar.
Spectrum is the debut album of fusion drummer, Billy Cobham. Released in 1973, Spectrum is regarded as one of the most important and essential drummers' albums in jazz fusion genre. The album contains much influence of the music of Miles Davis and Mahavishnu Orchestra, with whom Cobham had previously collaborated extensively. Generally, Spectrum is considered to be Cobham's best album up to this day, and does embody a role as important as the work by Miles Davis, Weather Report, or Mahavishnu Orchestra among the development of the jazz fusion genre. Tommy Bolin, who would go on to join the hard rock band Deep Purple two years later, plays the lead guitar. The song "Stratus" appears in the video game Grand Theft Auto IV of the radio station "Fusion FM", as well as being the main sample in the Massive Attack hit "Safe from Harm".
The solos are great, the beat is heavy and funky throughout, and Deodato takes a number of excellent solos on Fender-Rhodes electric piano which I feel are real highlights of the album.
The Band:
Bass - John Giulino , Stanley Clarke
Drums - Billy Cobham , Rick Marotta
Flute - Hubert Laws
Guitar - John Tropea
Keyboards, Arranged By, Conductor - Eumir Deodato
Percussion, Congas - Gilmore Degap , Rubens Bassini
George Duke (January 12, 1946 – August 5, 2013) was an American musician, known as a keyboard pioneer, composer, singer and producer in both jazz and popular mainstream musical genres. He had worked with numerous acclaimed artists as arranger, music director, writer and co-writer, record producer and professor of music. He first made a name for himself with the album The Jean-Luc Ponty Experience with the George Duke Trio. He was known primarily for thirty-odd solo albums as well as for his collaborations with other musicians, particularly Frank Zappa.
The Jean-Luc Ponty Experience with The George Duke Trio album was recorded live in Hollywood, California in mid-September, 1969. A number of Jazz musicians were experimenting with the jazz-rock fusion that would become so popular in the 1970s, but Jean-Luc Ponty is one of the earliest to get it down on vinyl. Ponty was inspired by Miles Davis to explore this new fusion form, and is considered the first significant Jazz musician to record on the electric violin. Later, in the 1970s, he pioneered the use of 5 & 6-string violins and was the first to combine the violin with MIDI, distortion boxes, phase shifters, and wah-wah pedals.
Let 's start with some albuns of this initial phase of GD...
The Jean-Luc Ponty Experience with The George Duke Trio is a Jazz album released in 1969 by Jean-Luc Ponty on World Pacific Jazz in the US, and is considered to be one of the earliest fusion jazz albums.
Beginning in 1967 Duke experimented further with jazz fusion, playing and recording with violinist Jean-Luc Ponty, as well as performing with the Don Ellis Orchestra, and Cannonball Adderley's band, while he acquainted himself with Frank Zappa. Duke appeared on a number of Frank Zappa's albums through the 1970s.
You Can't Do That on Stage Anymore, Vol. 2 is a live album by Frank Zappa. Despite the subtitle "The Helsinki Concert", the album is not one complete concert, but was, in fact, assembled from two (and possibly three) different concerts performed in Helsinki in 1974. The working title for this album was The Helsinki Tapes, a title more accurately reflecting the fact that the album was composed of performances from more than one show. The track listing is similar to that of Roxy & Elsewhere (1974), as are the core band personnel. The performance includes a double-speed version of "Village of the Sun", sandwiched between a later version of "RDNZL", the first being recorded in 1972, and "Echidna's Arf (Of You)", and "Montana (Whipping Floss)" — a spontaneously rewritten version of "Montana", following an audience member's request for The Allman Brothers Band's "Whipping Post". The guitar solo in the One Size Fits All version of "Inca Roads" is an edited extract of the solo presented here. Zappa has considered these performances as some of the best in his career. This particular line-up was one of his favorites.
The Band:
Frank Zappa – lead guitar, vocals
Napoleon Murphy Brock – saxophone, flute, vocals George Duke – keyboards, vocals
Ruth Underwood – percussion
Tom Fowler – bass guitar
Chester Thompson – drums
The 70’s were filled with musical experimentation with great musicians as Billy Cobhan and Stanley Clarke. In 1973, George rejoined Zappa and brought Jean-Luc Ponty with him. That band stayed together for the next three years, until Duke left to join forces with drummer Billy Cobham. Together, they formed a powerhouse jazz fusion unit even more popular and influential than the earlier Duke/Ponty group.
Three great records of these experimentations could be represented by:
George Duke became a solo artist in 1976, and enjoyed success with a series of fusion-oriented LP's such as his debut CBS LP, From Me To You. In 1978, the funk-flavored sound of the gold album Reach For It propelled George Duke into the upper reaches of the charts, and from small clubs to large arenas.
Duke was nominated for a Grammy as Best Contemporary Jazz Performance for After Hours in 1999. By popular vote, Duke was inducted into The SoulMusic Hall Of Fame at SoulMusic.com in December 2012.
Duke died August 5, 2013 in Los Angeles from chronic lymphocytic leukemia. He was 67 and is survived by his sons, Rashid and John.
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