domingo, 6 de junho de 2010

Nightwish - Symphonic Prog Metal (Finland)


Nightwish is a symphonic metal band from Kitee, Finland. The band was formed in 1996 by lead songwriter and keyboardist Tuomas Holopainen, guitarist Emppu Vuorinen, and former lead singer Tarja Turunen. The band soon picked up drummer Jukka Nevalainen, and then bassist Sami Vänskä after the release of their debut album, Angels Fall First (1997). In 2001, Vänskä was replaced by Marco Hietala, who also took over the male vocalist role previously filled by Holopainen or guest singers.


Although Nightwish have been prominent in their home country since Angels Fall First, they did not achieve wider success until the release of the albums Oceanborn (1998), Wishmaster (2000) and Century Child (2002). Their 2004 album, Once, has sold more than one million copies and was the band's breakthrough in the United States. Their biggest US hit single, "Wish I Had an Angel" (2004), received MTV airplay and was included on three US film soundtracks to promote their North American tour. The band produced three more singles and two music videos for Once, as well as a re-recording of "Sleeping Sun" for the compilation album, Highest Hopes: The Best of Nightwish (2005), before Turunen's dismissal in October 2005. Her last performance with Nightwish was during a concert recorded for the live album/DVD End of an Era. After the concert, the other members informed Turunen with an open letter that she was no longer a member of Nightwish.


In May 2007, Nightwish announced Anette Olzon as Turunen's replacement. That September, the band released their sixth album, Dark Passion Play, which has sold almost 2 million copies. The album's lead single, "Amaranth", became one of Nightwish's most successful in Europe. The supporting tour, one of the band's largest, started on October 6, 2007 and ended on September 19, 2009...














terça-feira, 4 de maio de 2010

Nelson Cavaquinho


Uma das principais referências do samba carioca, Nelson Cavaquinho foi contemporâneo de outros grandes mestres do Samba. A simplicidade de sua música emociona! Abaixo, texto baseado na publicação de http://www.samba-choro.com.br/artistas/nelsoncavaquinho.

Filho de família pobre, Nelson Cavaquinho nasceu no Rio de Janeiro em 29 de outubro de 1911. Viveu a infância solto na rua, jogando em peladas, bolinhas de gude, correndo atrás de balões. Quando tinha 7 anos de idade pegou gripe espanhola, que assolou o Rio de Janeiro. Devido aos problemas financeiros de sua família teve que deixar a escola no terceiro ano primário para trabalhar numa fábrica de tecidos e depois como auxiliar de eletricista.



A música nasceu cedo em Nelson. Seu pai, Brás Antônio da Silva, tocava tuba na Polícia Militar. Nas tardes de domingo, a família se reunia, seu tio Elvino tocando violino e Nelson tentando acompanhá-lo num instrumento feito em casa: uma caixa de charutos com alguns arames esticados. Sua mãe, Maria Paula da Silva, era lavadeira no Convento de Santa Tereza e cuidava de seus cinco irmãos, Iracema, Arnaldo, João, Atarílio e José.

Seu contato com a malandragem carioca começou cedo. Ele ficaria amigo de famosos e famigerados valentes como Brancura, Edgar e Camisa Preta. Na adolescência, morando na Gávea, entraria em contato com os chorões e sua músicas. Ficava fascinado com a perícia dos grandes mestres do cavaquinho e ia espiando e aprendendo os truques do instrumento. Como não tinha dinheiro para comprar um cavaquinho, treinava quando conseguia emprestado de alguém.

Em suas andanças pelos bailes dos clubes cariocas conheceu músicos de grande influência em sua formação, como Edgar Flauta da Gávea, Heitor dos Prazeres, Mazinho do Bandolim e o violonista Juquinha, de quem recebeu importantes noções de como tocar cavaquinho. Nessa época adquiriu um costume que virou sua marca: tocar apenas com dois dedos. E ganhou o apelido que o acompanharia por toda a vida.

Demonstrando grande habilidade para o instrumento, Nelson compôs um choro, “Queda”, que o fez tornar-se respeitado como músico, passando a ser chamado para fazer shows. Fugia de seu trabalho como ajudante de eletricista e ia para a rua da Conceição para ver músicos como Luperce Miranda tocando. Afinal, ganhou um cavaquinho de presente.

Aos 20 anos, conheceu Alice Ferreira Neves. Meses depois foi arrastado pelo pai da moça até a delegacia e obrigado a se casar. Teria quatro filhos. Com as obrigações de um chefe de família e sem emprego, Nelson teve que pedir socorro à família. Seu pai, que era contramestre da banda da corporação, conseguiu para ele um posto como cavalariano na Polícia Militar. 

Quem achava que a disciplina do quartel mudaria seus hábitos boêmios se enganou. Todos os dias Nelson pegava seu cavalo, Vovô, e subia o morro da Mangueira para a patrulha. Chegando lá parava de bar em bar, onde fez amizades com sambistas como Carlos Cachaça, Zé da Zilda e Cartola.

Nelson conta como conheceu Cartola: “Foi na quadra da Mangueira. E, no nosso primeiro encontro, teve um caso interessante. Na época, era polícia e estava de ronda pelo morro. Aí, resolvi parar numa tendinha e deixei amarrado na porta o cavalo, e olha, fiquei tanto tempo conversando com o Cartola, que quando saí da birosca, cadê o animal? Tinha sumido. Fiquei apavorado. E resolvi, assim mesmo, voltar para o quartel. Não é que quando chego lá dou de cara com o cavalo na estrebaria? O danado parecia que sorria pra mim pela peça que me pregou.”

Sua patrulha até que era eficiente. Como conhecia todo mundo no morro, quando encontrava alguma encrenca, não prendia: conversava com os envolvidos e resolvia a questão. Nelson mergulhava cada vez mais no samba e na boêmia, passava dias longe de casa, faltava ao trabalho e era punido com detenção. “Eu ia tantas vezes em cana que já estava até me acostumando ao xadrez. Era tranqüilo, ficava lá compondo, entre as músicas que fiz no xadrez está “Entre a Cruz e a Espada”.”

Antes que fosse expulso da corporação, Nelson conseguiu baixa. Na mesma época separou-se da mulher, depois de alguns cavaquinhos e violões quebrados, ficando livre para dedicar-se à música e a boêmia sem cobranças nem recriminações. Sem dinheiro, habituou-se a ir à praça Tiradentes vender seus sambas por verdadeiras ninharias. Um de seus parceiros, Milton Amaral, também compositor e boêmio, costumava contar que, certa madrugada, fizeram um samba juntos. Dias depois, quando foi à editora para assinar o contrato, qual não seria sua surpresa ao constatar que era o 16º co-autor: Nelson já havia vendido a mesma música quatorze vezes.


Na década de 50, trocou o cavaquinho pelo violão. Mas não deixou a maneira de tocar com o polegar e o indicador que sempre impressionou instrumentistas como Paulinho da Viola, Turíbio Santos e Egberto Gismonti. Como compositor, notabilizou-se pela melancolia de sua poesia. E pela constância da morte em sua temática. “Sou um homem que está muito perto da fatalidade. Minhas músicas, por isso, falam sempre em morte e em Deus, não faltando os amores fracassados.” Nelson realmente viveu muitas tristezas. No começo da década de 40, depois de três dias e três noites na rua, tocando cavaquinho, quando voltou para casa, descobriu que sua mãe havia morrido e fora enterrada dias antes.

Com repertório de mais de 600 composições (a maioria delas inéditas ou esquecidas, pois dificilmente o músico as escrevia, preferindo guardá-las na memória), Nelson Cavaquinho criava de madrugada, nas mesas dos bares, com o violão e um copo de cerveja ou cachaça. “Nunca fiz samba por encomenda, por isso jamais vou compor um samba-enredo. Acho horrível você ter de fazer aqueles lá-lá-lá e oba-oba obrigatórios na linha melódica das escolas de samba. Faço músicas para tirar as coisas de dentro do coração. E foi assim desde o dia em que fiz meu primeiro samba.” 

Seu principal parceiro, Guilherme de Brito, conta como o conheceu: “Conheci o Nelson Cavaquinho no Café São Jorge. Eu morava em Ramos naquela época e o Nelson já era um sucesso. Às vezes eu voltava de noite, trabalhava o dia inteiro, e lá estava o Nelson com o seu violão. Até que um dia eu me atrevi e cheguei perto dele com a primeira parte de um samba, que foi "Garça", e falei: "Ô Nelson, vê se você gosta aqui...". Ele disse que estava ótimo e fez a segunda parte. Dali em diante seguimos até o fim da vida e fizemos um trato de compormos juntos, só eu e ele. Foi muito boa a parceria e fomos leais até o fim da vida dele. Se bem que ele pulou fora duas vezes durante esse período e compôs com outro cara, mas foi muito bom. Se ele estivesse vivo, estaríamos com certeza até hoje ligados um ao outro.”

Com mais de 50 anos de idade, conheceria Durvalina, sua companheira pelo resto da vida.

Aos poucos o menestrel das ruas foi envelhecendo. Os cabelos tornaram-se brancos, as rugas fizeram residência em seu rosto. Com medo de ter problemas de saúde, parou de beber e de fumar. Já não mais varava as noites em claro, não desaparecia por dias seguidos. Mas continuava com o violão. Todos os dias, abraçava-o carinhosamente, com seu estranho hábito de tocá-lo quase na vertical. As composições foram rareando, no entanto, persistiram até o fim.


Na madrugada do dia 18 de fevereiro de 1986, aos 74 anos, ele morria, vítima de enfisema pulmonar. Ele agora chamava-se saudade




1 - Juizo final (Élcio Soares - Nelson Cavaquinho)
2 - Folhas secas (Guilherme de Brito - Nelson Cavaquinho)
3 - Caminhando (Nourival Bahia - Nelson Cavaquinho)
4 - Minha festa (Guilherme de Brito - Nelson Cavaquinho)
5 - Mulher sem alma (Guilherme de Brito - Nelson Cavaquinho)
6 - Vou partir (Jair Costa - Nelson Cavaquinho)
7 - Rei vadio (Joaquim - Nelson Cavaquinho)
8 - A flor e o espinho (Alcides Caminha - Guilherme de Brito - Nelson Cavaquinho)
Se eu sorrir (Nelson Cavaquinho - Guilherme de Brito)
Quando eu me chamar saudade (Nelson Cavaquinho - Guilherme de Brito)
Pranto de poeta (Nelson Cavaquinho - Guilherme de Brito) participação: Guilherme de Brito
9 - É tão triste cair (Nelson Cavaquinho)
10 - Pode sorrir (Guilherme de Brito - Nelson Cavaquinho)
11 - Rugas (Garcêz - Ary Monteiro - Nelson Silva)
12 - O bem e o mal (Guilherme de Brito - Nelson Cavaquinho)
13 - Visita triste (Anatalicio - Guilherme de Brito - Nelson Cavaquinho)

Reativandôôô!!!



Vários motivos me fizeram abandonar o Valvulado por um tempo, porém sem nunca esquecer do compromisso com as pessoas interessadas que visitaram o blog, mesmo com ele relegado ao ostracismo!

Estou de volta com muita disposição! Conto também com a participação dos meus fiéis colaboradores!!! El Desaparecido, não desapareça! Javanês, não se assuste, é fácil, muito fácil! Monster, é que nem coçar, é só começar...

São sempre bem vindos os pedidos, sugestões e críticas.

Saudações sonoras


Para comemorar:



sexta-feira, 30 de abril de 2010

Nina Hagen - Pop RockPunk Rock (Germany)


Catharina "Nina" Hagen (born 11 March 1955) is a German singer, songwriter, and actress. She is known for her theatrical vocals and rose to prominence during the punk and new wave movements in the late 1970s and early 1980s.

Born in the former East Berlin, German Democratic Republic, Hagen began her career as an actress when she appeared in several German films alongside her mother Eva-Maria Hagen. Around that same time, she joined the band Automobil and released the single "Du hast den Farbfilm vergessen". After her stepfather Wolf Biermann's East German citizenship was withdrawn in 1976, Hagen followed him to Hamburg. Shortly afterwards, she was offered a record deal from CBS Records and formed Nina Hagen Band. Their self-titled debut album was released in 1978 to critical acclaim and was a commercial success selling over 250,000 copies. The band released one more album Unbehagen before their break-up in 1979.


In 1982, Hagen signed a new contract with CBS and released her debut solo album NunSexMonkRock, which became her first record to chart in the United States. She followed it with two more albums: Fearless (1983) and Nina Hagen in Ekstasy (1985), before her contract with CBS expired and was not renewed. In 1989, she was offered a record deal from Mercury Records. She released three albums on the label: Nina Hagen (1989), Street (1991), and Revolution Ballroom (1993). However, none of the albums achieved notable commercial success. Hagen made her musical comeback with the release of her album Return of the Mother (2000).

Besides her musical career, Hagen is also a voice-over actress. She wrote three autobiographies: Ich bin ein Berliner (1988), Nina Hagen: That's Why the Lady Is a Punk (2003), and Bekenntnisse (2010). She is also noted for her human and animal rights activism.





domingo, 25 de abril de 2010

Television - Alternative Rock (Post Punk)


Television is an American rock band from New York City, most notably active in the 1970s. The group was founded by Tom Verlaine, Richard Lloyd, Billy Ficca, and Richard Hell. An early fixture of CBGB and the 1970s New York rock scene, the band is considered influential in the development of punk and alternative music.

Although they recorded in a stripped-down, guitar-based manner similar to their punk contemporaries, Television's music was by comparison clean, improvisational, and technically proficient, drawing influence from avant-garde jazz and 1960s rock. The group's debut album, Marquee Moon, is often considered one of the defining releases of the post-punk era.


Television's roots can be traced to the teenage friendship between Tom Verlaine and Richard Hell. The duo met at Sanford School in Hockessin, Delaware, from which they ran away. Both moved to New York, separately, in the early 1970s, aspiring to be poets.

Their first group together was the Neon Boys, consisting of Verlaine on guitar and vocals, Hell on bass and vocals and Billy Ficca on drums. The group lasted from late 1972 to late 1973. A 7-inch record featuring "That's All I Know (Right Now)" and "Love Comes in Spurts" was released in 1980.


In late 1973 the group reformed, calling themselves Television and recruiting Richard Lloyd as a second guitarist. Their first gig was at the Townhouse Theatre, on March 2, 1974. Their manager, Terry Ork, persuaded CBGB owner Hilly Kristal to give the band a regular gig at his club, where they reportedly constructed their first stage. After playing several gigs at CBGB in early 1974, they played at Max's Kansas City and other clubs, returning to CBGB in January 1975, where they established a significant cult following.




terça-feira, 20 de abril de 2010

Propaganda - Electronic Synth Pop (Germany)


Propaganda are a German synthpop group, formed in 1982. They were one of the initial roster of acts signed to Trevor Horn's ZTT label, between 1984 and 1986, during which they released the critically acclaimed album A Secret Wish.

Propaganda was formed in Düsseldorf, West Germany, in 1982, by Ralf Dörper (a member of the German industrial band Die Krupps). As a trio, with artist Andreas Thein and vocalist Susanne Freytag, the group made initial recordings in Germany which were destined for future release in the UK, where Ralf Dörper's early experimental recordings had received critical acclaim by radio DJ John Peel and journalist Chris Bohn aka Biba Kopf. With the inclusion of classically trained musician and composer Michael Mertens and singer Claudia Brücken (who had worked with Freytag in her previous band, The Topolinos), music journalist Paul Morley signed the band to Trevor Horn's newly formed ZTT Records label.


The group relocated to the United Kingdom and released the single "Dr. Mabuse", named after the fictional character made famous by filmmaker Fritz Lang. The single reached the Top 30 in the UK Singles Chart, and the Top 10 in Germany. The group appeared on various TV shows in the UK, including Channel 4's The Tube. Here, as well as performing "Dr. Mabuse", the group also gave one of its few performances of a cover version of Throbbing Gristle's song "Discipline".

Before the year was out, Thein was asked to leave the band due to musical differences. With Mertens now filling the gap left by his departure, the band forged ahead with recording its follow-up single and debut album. However both of these were to be delayed as a result of the unexpectedly huge success of ZTT's most famous signing, Frankie Goes to Hollywood. As the label was still in its infancy, ZTT was forced to spend all its limited resources on promoting and marketing Frankie Goes to Hollywood, and this also meant that Trevor Horn was not available to produce Propaganda's album. Stephen Lipson, one of Horn's established studio engineers, took his place along with Andy Richards playing keyboards, but the delay meant that Propaganda's second single, the more pop-oriented "Duel", did not surface until April 1985. Perhaps the band's most recognisable release, it was also their highest-charting single in the UK, reaching number 21. The band made its single appearance on the flagship BBC music programme Top of the Pops in June of that year. The song was also used as the theme music for the World Rally Championship (WRC) in 2005, the alternate version "Jewelled" having also been used as the theme music for the BBC's Top Gear RAC Rally Report programmes in the late 1980s.


In May 1985, with Frankie Goes to Hollywood becoming tax exiles in Ireland, the band effectively headlined "The Value of Entertainment", a series of showcase gigs of ZTT signings, held at the Ambassadors Theatre in London. The shows also featured Art of Noise, Anne Pigalle, Andrew Poppy and Instinct. Propaganda were joined on stage by former Simple Minds bassist Derek Forbes and ex-Japan drummer Steve Jansen.

The first week of July 1985 finally saw the release of the band's debut album, A Secret Wish. After receiving considerable critical acclaim and some commercial success, it reached number 16 on the UK Album Chart. The album was followed by another single, "p:Machinery", in August 1985, which only reached number 50 in the UK, but becoming a bigger hit in Italy, France, the Netherlands, Germany and Switzerland and even being used in the hit US TV Show Miami Vice. The 12-inch version of this release caused controversy (even within the group) as Paul Morley thought it was a good idea to have the sleeve feature a quote by writer J. G. Ballard praising the activities of the German extremist group Red Army Faction. Ariola, who distributed ZTT's releases in Germany, refused to carry the 12" as a result, so the quote was changed on the German release to another by Ballard on the aesthetic perfection of German suburbs.


The group spent the rest of the year on their "Outside World" tour, taking in Europe and America. They were joined once again by Derek Forbes on bass, with his fellow ex-Simple Minds colleagues Brian McGee on drums, and Kevin Armstrong on guitar, with backing tapes used for most of the keyboard parts. In the meantime a remix album, Wishful Thinking, was released in November 1985. Originally intended for the American club market, the album was also released in Europe, but against the wishes of the group themselves. The album peaked at number 82 in the UK. A remixed version of "p:Machinery" was also re-released as a single, only four months after its original release. In the UK, it too failed to make an impact and peaked at no.83, but was, again, more successful in France and Germany.





domingo, 4 de abril de 2010

The Allman Brothers - Rock (USA)


The Allman Brothers Band was an American rock band formed in Macon, Georgia, in 1969 by brothers Duane Allman (founder, slide guitar and lead guitar) and Gregg Allman (vocals, keyboards, songwriting), as well as Dickey Betts (lead guitar, vocals, songwriting), Berry Oakley (bass guitar), Butch Trucks (drums), and Jai Johanny "Jaimoe" Johanson (drums). The band incorporated elements of blues, jazz, and country music, and their live shows featured jam band-style improvisation and instrumentals.

The group's first two studio releases, The Allman Brothers Band (1969) and Idlewild South (1970) (both released by Capricorn Records), stalled commercially, but their 1971 live release, At Fillmore East, represented an artistic and commercial breakthrough. The album features extended renderings of their songs "In Memory of Elizabeth Reed", "You Don't Love Me" and "Whipping Post", and is considered among the best live albums ever made.


Group leader Duane Allman was killed in a motorcycle accident later that year – on October 29, 1971, and the band dedicated Eat a Peach (1972) to his memory, a dual studio/live album that cemented the band's popularity and featured Gregg Allman's "Melissa" and Dickey Betts's "Blue Sky". Following the motorcycling death of bassist Berry Oakley exactly one year and 13 days later on November 11, 1972, the group recruited keyboardist Chuck Leavell and bassist Lamar Williams for 1973's Brothers and Sisters. This album included Betts's hit single "Ramblin' Man". These tunes went on to become classic rock radio staples, and placed the group at the forefront of 1970s rock music. Internal turmoil overtook them soon after; the group dissolved in 1976, reformed briefly at the end of the decade with additional personnel changes, and dissolved again in 1982.

The band reformed once more in 1989, releasing a string of new albums and touring heavily. A series of personnel changes in the late 1990s was capped by the departure of Betts. The group found stability during the 2000s with bassist Oteil Burbridge and guitarists Warren Haynes and Derek Trucks (the nephew of their original drummer) and became renowned for their month-long string of shows at New York City's Beacon Theatre each spring. The band retired for good in October 2014 after their final show at the Beacon Theatre.


Butch Trucks committed suicide on January 24, 2017, in West Palm Beach, Florida, at the age of 69. Gregg Allman died from complications arising from liver cancer on May 27, 2017, at his home in Savannah, Georgia, also at the age of 69. The band has been awarded seven gold and four platinum albums, and was inducted into the Rock and Roll Hall of Fame in 1995. Rolling Stone ranked them 52nd on their list of the 100 Greatest Artists of All Time in 2004.

















quarta-feira, 20 de janeiro de 2010

Elis Regina - Bossa Nova /MPB


Elis Regina Carvalho Costa (March 17, 1945 – January 19, 1982), known professionally as Elis Regina, was a Brazilian singer of popular and jazz music.

She became nationally renowned in 1965 after singing "Arrastão" (composed by Edu Lobo and Vinícius de Moraes) in the first edition of TV Excelsior festival song contest, and soon joined O Fino da Bossa, a television program on TV Record. Elis was noted for her vocalization, as well as for her personal interpretation and performances in shows. She recorded several successful compositions, such as "Como nossos pais" (Belchior), "Upa Neguinho" (E. Lobo and Gianfrancesco Guarnieri), "Madalena" (Ivan Lins), "Casa no Campo" (Zé Rodrix and Tavito), "Águas de Março" (Tom Jobim), "Atrás da porta" (Chico Buarque and Francis Hime), "O bêbado e a equilibrista" (Aldir Blanc and João Bosco), "Conversando no bar" (Milton Nascimento), etc.

Her untimely death, at the age of 36, shocked Brazil. She has frequently been regarded as the greatest Brazilian singer of all time by critics, musicians, and commentators.



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