domingo, 13 de março de 2016

Black Widow - Heavy Prog (UK)

Black Widow were a rock band that formed in Leicester, England in September 1969. The band were mostly known for its early use of satanic and occult imagery in their music and stage act. The band were often compared with the better-known Heavy metal band Black Sabbath, but the bands were only superficially similar. The band originally formed in 1966 as Pesky Gee! with Kay Garrett (lead vocals), Kip Trevor (lead vocals, guitar and harmonica), Chris Dredge (guitar), Bob Bond (bass guitar), Clive Box (drums and piano), Gerry "Zoot" Taylor (organ), Clive Jones (aka Clive Beer-Jones; saxophone and flute). Jim Gannon (guitar, vocals and vibes), replaced Dredge in Spring 1969. The band split in September 1969. The band released one album for Pye Records as Pesky Gee!, 1969's Exclamation Mark, before Garrett left the band. The remaining band members continued on as Black Widow and released their debut album Sacrifice in 1970. Controversy aside, Sacrifice reached No. 32 on the UK Albums Chart. The band performed at the Whitsun Festival at Plumpton, UK,and at The Isle of Wight Festival in 1970.


By 1971, the band had moved away from its darker occult imagery in an effort to gain a wider audience, which was unsuccessful.[citation needed] Having replaced Bond and Box with Geoff Griffith and Romeo Challenger, Black Widow released the self-titled Black Widow album in 1971 and Black Widow III in 1972 (by which time Gannon had left, replaced by John Culley) to general disinterest before being dropped by CBS Records. The band recorded an album, Black Widow IV, later in 1972 without a recording contract. It was not released then due to the band breaking up, shortly after replacing lead vocalist Kip Trevor, with another singer known as Rick "E" (born Frank Karuba; formerly of 'Plum Nelly'). The album was finally released in 1997 on the Mystic Records label. In 1999 the original recordings of their debut album, made before Garrett left the band, were released as Return to the Sabbat. In 2000 Black Widow Records (an Italian label) released King of the Witches: Black Widow Tribute featuring bands such as Death SS and Church of Misery as well as tracks featuring original members Kip Trevor and Clive Jones (aka Clive Beer-Jones). In 2003 Sanctuary Records released an Anthology 2xCD.[citation needed] In 2007 Mystic Records released an unreleased concert film Demons of the Night Gather To See Black Widow – Live as a DVD. The film included Black Widow's entire Sacrifice album show from 1970. The interest towards Black Widow has been growing. Jones and Geoff Griffith started to work on new Black Widow music.



Paolo "Apollo" Negri from an Italian hard rock band Wicked Minds agreed to join the project on keyboards. The latest Black Widow studio album has a title Sleeping With Demons, with 80's new wave style. Rock singer Tony Martin is featured on the album as a guest vocalist on the song Hail Satan. Black Widow's most popular song Come to the Sabbat has been covered by many bands and artists including Timberjack (Top 10 hit in New Zealand in 1971), Jon the Postman, Bewitched, Death SS and Propagandhi. Jones of Black Widow together with Mark Pollard & Kevin Brooks wrote an Abba tribute song "Hey You Ring Me Tonight" recorded by the Swedish band The Airwaves and released 2008 on their 3 tracker CD with the same name (Riverside Records Bonnier Amigo Distribution). In 2012 guitar player John Culley appeared on a cover version of an old Black Widow song You're So Wrong on Corvus Stone's debut album released on Melodic Revolution Records.













Este Post veio do fundo do HD do Peter...

Thanks Peter

3 comentários:

  1. Excelente descubrimiento. Lo escuché y me gustó!

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    Respostas
    1. Obrigado, meu amigo...

      Na verdade este álbum está mais para um krautrock do que para BLACK SABBATH....mas realmente é muito bom!

      Peter Hammill - SP

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  2. Caros amigos Java Man e PH,
    naquela época (finais dos 60 e começo dos 70) se valorizava muito a originalidade; qualquer banda que se parecesse demais com outras já estabelecidas, seja na questão puramente sonora/musical ou na temática ou conceito, era logo relegada a um segundo, terceiro ou quarto escalão. Acho que esse foi um dos maiores problemas do Black Widow, que apesar de ser muito bom, não era assim exatamente algo original ou autêntico o suficiente, ainda mais com tantas mudanças na formação.
    Hoje em dia a história seria muito diferente, com certeza, porque o que existe de bandas iguais a tantas de todos os tempos por aí não é brincadeira; o que pode ser uma faca de dois gumes, é claro; mas acho que o Black Widow se destacaria.
    O que é bacana mesmo é que a molecada dessa geração atual acaba podendo curtir essas bandas das antigas como se fosse novidade, e esse é o grande barato de trazermos esses tesouros à tona.
    Valeuzão!!
    Aquele abraço.

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